Prints & materials

Exceptional prints

Every photograph in the gallery is printed to order, using two benchmark processes: museum-grade pigment giclée and silver-halide photographic printing. Production is entrusted to partner laboratories in Europe, the United States and Australia — your print is made as close to you as possible, inspected, then shipped in reinforced packaging.

Six materials

Choosing the right medium

Matte paper, museum-grade textured paper, true photographic print, aluminium, acrylic or canvas: each medium has a character of its own. Here is everything you need to choose with confidence.

Pigment giclée

Fine Art matte paper

Pigment giclée printing lays micro-droplets of pigment-based inks onto the paper — up to twelve separate inks — building seamless gradients and a colour range far wider than conventional printing. It is the process museums and galleries rely on for reproducing artworks.

A smooth 200 gsm matte paper (Enhanced Matte Art type) with a slightly warm white. Its glare-free surface absorbs light gently: the image reads perfectly from any angle, even in a brightly lit room.

The all-round choice: soft-light landscapes, misty scenes, images destined for bright interiors where a glossy surface would throw reflections. It is also the most accessible entry into true fine art printing.

Pigment inks guarantee colour stability of over 100 years under normal display conditions, away from direct sunlight.

Care — Keep away from direct sun and moisture; dust with a dry cloth, never with household cleaners.

Available sizes

30 × 20 cm45 × 30 cm60 × 40 cm90 × 60 cm120 × 80 cm150 × 100 cm

From €49

Pigment giclée — museum grade

Hahnemühle German Etching

The same pigment giclée process, taken to its finest level: German Etching is a traditional etching paper made by Hahnemühle, German papermakers since 1584, certified acid- and lignin-free for museum-grade conservation.

A heavyweight 310 gsm paper with a distinctive velvety texture and a warm natural white. The grain catches the light subtly, lending the print an almost painterly, etching-like presence.

The medium for images you want to give real substance: mountain landscapes, wildlife scenes rich in texture, intimate compositions. It is the paper chosen for the gallery's signed limited editions — the one that ages best, and the finest to the touch.

A 100% archival paper: combined with pigment inks, it keeps its colours and natural white for well over a century away from direct sunlight.

Care — Handle by the edges and frame whenever possible; dust only with a dry cloth.

Available sizes

30 × 20 cm45 × 30 cm60 × 40 cm90 × 60 cm120 × 80 cm150 × 100 cm

From €69

Silver halide — lustre finish

C-type photographic print

The C-type is a photographic print in the historical sense: light-sensitive paper (a Fuji silver-halide emulsion) is exposed with lasers, then chemically developed. The image forms within the paper itself — not a single drop of ink is involved.

A photographic paper with a lustre finish: a gentle sheen that deepens blacks and enriches colour without the harsh reflections of a glossy surface. The result is true continuous tone, with no printing pattern whatsoever — invisible even under a loupe.

The medium for lovers of classic photography: wildlife portraits full of fine detail, images with deep blacks, prints you want to feel photographic above all. Available up to 90 × 60 cm, the technical limit of the process.

Several decades without visible change under normal display conditions, away from direct sunlight.

Care — The surface is scratch-sensitive: framing is recommended; clean with a soft, dry cloth.

Available sizes

30 × 20 cm45 × 30 cm60 × 40 cm90 × 60 cm

From €45

Direct printing on aluminium

Aluminium Dibond

The image is printed directly onto a Dibond panel: two thin sheets of aluminium bonded around a polyethylene core. The result is a perfectly flat, rigid and surprisingly light panel that will never warp.

A matte, velvety surface with no glass and no glare, and absolute flatness. The print ships with an invisible floating subframe on the back: once hung, it appears to hover two centimetres off the wall, gallery-style.

The medium of choice for astrophotography: the matte finish strengthens the contrast of deep-sky images without reflecting the room's light. It equally suits graphic compositions and contemporary interiors — no frame required.

A rigid, stable panel, unaffected by ambient humidity; the inks retain their density for decades away from direct sunlight.

Care — Dust with a soft, slightly damp cloth; no solvents or abrasive products.

Available sizes

30 × 20 cm45 × 30 cm60 × 40 cm90 × 60 cm120 × 80 cm

From €85

Face-mounted under acrylic

Acrylic glass

The photographic print is face-mounted by hand behind a sheet of acrylic glass with polished edges. Light travels through the acrylic, reflects off the image and returns saturated with colour — this optical path is what creates the medium's signature depth.

A crystal-clear sheet that gives colours a lacquered brilliance and blacks a spectacular density. The piece arrives ready to hang, with an invisible mounting system that floats the artwork off the wall.

The perfect setting for nebulae and galaxies: under acrylic, the blacks of the night sky turn lacquer-deep and colours seem backlit. Superb for saturated landscapes too — best placed away from a window's direct reflections.

The acrylic shields the print from dust and UV light; the piece keeps its brilliance for decades.

Care — Dry or barely damp microfibre cloth only; never use glass cleaner, which would dull the acrylic.

Available sizes

30 × 20 cm45 × 30 cm60 × 40 cm90 × 60 cm

From €99

Canvas print on a wooden stretcher

Stretched canvas

The image is printed with pigment inks on artist-grade canvas, then hand-stretched over a wooden frame roughly 38 mm deep. The image wraps around the edges: the canvas hangs as it is, no frame needed.

A textured canvas with a visible weave that softens the image and gives it a warm, painterly presence. The piece is remarkably light, even in large sizes — up to 150 × 100 cm.

The medium for large landscapes you want to live with every day: a sea of clouds or a Mont Blanc panorama on canvas warms a living room, a bedroom, a hallway. No glass, no glare — the image can be enjoyed from anywhere in the room.

Pigment inks rated for 100 years and more; the canvas and wooden stretcher are built not to slacken over time.

Care — Dust with a feather duster or dry cloth; keep away from moisture and direct sunlight.

Available sizes

45 × 30 cm60 × 40 cm90 × 60 cm120 × 80 cm150 × 100 cm

From €75

Finishes

Framed or unframed

Paper prints can ship ready to frame or already framed; rigid media need nothing more.

Unframed

The print on its own, shipped rolled or flat depending on size, ready for your own framer or a floating mount.

Compatibility: All media, all sizes.

Wooden frame — light oak or black

A slender, understated wooden frame, assembled in the workshop, available in light oak or matte black. Ships ready to hang. Adds 60 to 120 € depending on size.

Compatibility: Giclée papers (Fine Art matte, German Etching) and C-type prints, up to 90 × 60 cm.

Floater frame

The gallery frame: the canvas floats inside a wooden profile that borders it without touching it, separated by a fine shadow line. Adds 80 to 150 € depending on size.

Compatibility: Stretched canvas, up to 120 × 80 cm.

Aluminium Dibond and acrylic glass ship with their invisible floating mount: they hang frameless, gallery-style.

Limited editions

Thirty copies, not one more

Every photograph in the gallery is limited to 30 copies at most, across all sizes and all media combined. Once the thirtieth print is sold, the image will never be printed again. Each copy is numbered (for instance 7/30) and signed.

A certificate of authenticity accompanies every print, stating the title of the work, its number within the edition, the medium and the printing date. Under French law, photographs printed in editions of 30 or fewer, signed and numbered by their author, hold a special status: they are recognised as artworks in their own right (Article 98 A of the French General Tax Code) — on the same footing as an engraving or a sculpture, not as mere reproductions.

In short, you are not buying a poster: you are acquiring a limited-edition artwork whose scarcity is guaranteed and documented.

Worldwide delivery

Produced near you, delivered everywhere

Our partner laboratories print in the United Kingdom, the European Union, the United States and Australia. Your order is produced in the workshop closest to your address: less transport, shorter lead times and a smaller carbon footprint.

ZoneDestinationsShippingEstimated time
Zone 1Metropolitan France and the European UnionFree3 to 6 business days
Zone 2Europe outside the EU (United Kingdom, Switzerland, Norway…)€14.904 to 8 business days
Zone 3North America, Australia, New Zealand€19.904 to 8 business days (local production)
Zone 4Rest of the world (Asia, Africa, South America, French overseas territories)€29.907 to 15 business days
  • Every print is made to order, then shipped in reinforced packaging (rigid tube or crate depending on the medium), with a tracking number.
  • For deliveries outside the European Union, any customs duties and import taxes are the recipient's responsibility.

Frequently asked questions

Pigment giclée or C-type print: what is the difference?

Giclée lays pigment inks onto fine art paper: a very wide colour range, matte or textured papers, and longevity beyond 100 years. The C-type exposes genuine light-sensitive paper and develops it chemically: absolute continuous tone, deep blacks, a classic photographic feel. Choose giclée for a landscape on textured paper; choose C-type for a traditional photographic print with the finest detail.

Which medium for a dark room? For a very bright one?

In a dark room, acrylic glass and lustre C-type make the most of every light source and keep colours vivid. In a very bright room, prefer a matte medium — Fine Art paper, German Etching, Aluminium Dibond or canvas — which will show no reflections from any viewing angle.

Which medium is best for an astrophotograph?

Acrylic glass delivers maximum depth: lacquered blacks and nebulae that appear backlit. Aluminium Dibond is the matte alternative: heightened contrast, zero glare, a contemporary look. Neither needs a frame.

Do prints arrive ready to hang?

Aluminium Dibond, acrylic glass, stretched canvas and framed prints (wooden frame or floater frame) all arrive ready to hang, mounting hardware included. Unframed paper prints ship flat or in a rigid tube, ready for the framing of your choice.

How should I care for a fine art print?

Three simple rules: no direct sunlight, no humidity, and just a soft, dry cloth for dust. Never use household products or glass cleaner, even on acrylic — a barely damp microfibre cloth is all it takes.

Do you ship worldwide?

Yes. Production happens as close to your address as possible (United Kingdom, EU, United States, Australia) and shipping covers the whole world, with tracking. Delivery is free within metropolitan France and the EU; outside the EU, any customs charges are the recipient's responsibility.

Find the image your wall is waiting for

Alpine landscapes, mountain wildlife, deep-sky nebulae: every photograph in the gallery is available on the six media presented here, in a limited edition of 30 copies.

Explore the gallery→